Tuesday's Textiles and Tea featured wonderful tapestry maker Susan Maffei.
I had only known of her before as the longtime partner and collaborator with the renowned Archie Brennan, who really brought tapestry into the present as a mainstream art.
After his death in very old age a couple of years ago, she has been regrouping and continuing her solo artwork.
She's very much tuned into the earth and the interlocking of life and human interference with natural rhythms.
She abandoned the use of cartoons, images of the project attached to the back of the warp as a guide to the weaver, some years ago and began to weave designs from memory of the scenes. This is virtuoso work. Very few people have the total visual recall necessary for this work.
She also switched from her earlier traditional training of working from the back of the loom, as in those famous tapestries we see in museums. There the workers had a mirror set up to follow their progress. Brennan always worked from the front, and she found she preferred that.
She also likes the concept of hiddenness, boxes and books opening to reveal the work, but not entirely.
She likes to work in series, as in this history of women group
Still a very active worker though Covid restrictions have affected her a lot since she's not very interested in the use of Zoom for teaching, and would much rather be in person.
That's how she's always worked, with groups such as the Wednesday Group she and Archie founded in New York many years ago.
I'm very glad she agreed to this event despite her misgivings, because she's a strong artist in her own right.
Not that Archie ever overshadowed her, since he was a great champion of her work. Unlike many male artists towards their female artist partners, names omitted so as not to give them yet more attention!
She has a website, too, go there for more.
I had a lovely email this week from the executive director of HGA all excited about these blogposts amping up the signal for their series. As handsome Son would say: np!
In other news I thought you'd like to know I had what's known as a rush of brains to the head yesterday.
I had an epiphany about home made pizza, namely that you don't have to make a whole one! You can cut the dough in half and save one half for another day, then do rhe toppings on the remaining mezzaluna! How long it's taken for me to realize this.
So I acted on it
Mushroom, sausage, mozzarella, Parmesan. Enough for a large lunch, and no leftovers to reheat, never as good on day two.
And after the heights of Jhumpa Lahiri to the easy reading of Me before You
When everyone was reading this a few years ago I noticed, more than once, friends starting to recommend it, then suddenly changing the subject.I'm reading this on Kindle, as a change from the last one which I had as an audiobook.
Happy day, everyone!
I never read that book but I did watch the movie of the same name that was based on it. The movie was better than I thought it was going to be.
ReplyDeleteAnother great artist whose work resembles nothing I've ever seen before. What amazing inspiration she must be to other weavers!
ReplyDeleteI can understand her reluctance to teach over Zoom. Some things are just not suited to that sort of instruction, are they?
I read "Me Before You" years ago and to be honest I don't remember much about it, but I know I liked it. I love the weaving, especially the piece with the guinea fowl (I think?) feathers.
ReplyDeleteI think they may be guinea fowl. She has a smallholding in NY State with goats, poultry, etc. I wouldn't be surprised if she has guineas.
ReplyDeleteMary yes, I think Zoom works best with discussion, slide lecture, that kind of thing. But trying to teach any equipment heavy subject such as most of the arts is a puzzle.
The viewer also has to figure out how to wrestle with their materials as well as see the screen. I gave up on playing recorder because it was physically impossible to organize my stand, instruments, score and screen at once. Some people managed it, but I don't know how.
Interesting tapestries. You can also make the pizza, wrap up left overs and pop them in the freezer. Heat in the over. Just like new.
ReplyDeleteShe seems like one more remarkable artist.
ReplyDeleteI didn't know about your supreme caregiving days. That must have been so draining.
Those creations are so wonderful; they draw me right in. I am in awe of her talent.
ReplyDeleteI didn’t read the book but saw the movie which I liked. Lots to think about with that one.
ReplyDeleteHappy Snow Day!
ReplyDeleteFascinating artist, the gold and feathers piece is something I'd like to wear.
Being a recent follower of your blog there is much about your past that I am ignorant of, like caring for a quadriplegic.
ReplyDeleteThanks for sharing Susan Maffei's work. I really like it.
Yes SP, that piece would be your style! Worn with flair.
ReplyDeleteEllen, yes, there's a lot of back story. All of which I'm open to questions about. The nine years of caregiving, the last three when handsome partner became quadriplegic, were brutal, and yet we had a life. There was happiness too.
It's wonderful that two incredible artists didn't allow their egos to get in the way of being together.
ReplyDeleteThe book is one I haven't read but I'd like to. Off to the library web site in a few minutes to see if they have a copy.
It's the first of a trilogy, all good.
ReplyDelete